Independent Filmmakers
Documentary and narrative filmmakers who need clearer dialogue from location recordings without losing natural voice character.
I restore difficult video audio affected by background noise, room echo, hum, wind, uneven levels and recording problems while keeping speech natural.
Free assessment and no obligation quotation.
Who It Is For
This service is for filmmakers, producers and production teams working with difficult audio attached to video — not video editing, colour grading, film editing, motion graphics or general post production. For podcast dialogue restoration, see our podcast audio restoration service.
Documentary and narrative filmmakers who need clearer dialogue from location recordings without losing natural voice character.
Production teams capturing interviews and field recordings where background noise, wind and room sound affect speech clarity.
Studios and agencies delivering client video where production sound must meet a professional standard before release.
News teams and interview producers working with recorded video where dialogue must be clearer for publication or broadcast.
Problems
These are the issues I listen for first during assessment. Not every problem can be removed completely — the aim is honest improvement based on what the recording allows.
Traffic, air conditioning, crowds and other environmental noise competing with dialogue throughout a scene or interview.
Hollow or boxy room sound from untreated spaces, hard surfaces and microphone placement on location.
Outdoor recordings where wind hits the microphone and masks or distorts speech during filming.
Speakers at different distances or volumes, forcing viewers to strain to follow the conversation.
Mains hum, buzz, wireless interference and electrical noise picked up during production recording.
Dialogue captured too far from the source, leaving speech thin, quiet or buried in the environment.
Lavalier movement, fabric noise and handling sounds that distract from spoken content on camera.
Overloaded inputs, peaking levels and harsh distortion on loud moments during production recording.
Improvements
Restoration focuses on making difficult video dialogue easier to understand. Depending on the recording, work may improve:
The purpose is to preserve natural dialogue — not to make voices sound artificial or overprocessed. Speech should still sound like the people on camera, just clearer and easier to follow.
Send a short video or audio sample. I listen and tell you honestly what can be improved in the production dialogue.
I identify the main issues — noise, echo, wind, hum, level imbalance or clipping — and what each requires for video dialogue.
Speech is repaired by hand: noise reduced, problem areas treated and dialogue addressed while preserving natural voice character.
Speakers and scenes are balanced so viewers can follow dialogue without adjusting volume between participants or locations.
Restored audio is checked on headphones and speakers, then returned in your preferred format ready for your edit or delivery workflow.
Location Recording
Video dialogue is often recorded on location where conditions are hard to control. Common problems include traffic, wind, room echo, air conditioning, distant microphones, clothing movement, crowds and changes between recording locations.
Restoration can improve these issues, but results depend on how clearly the original speech was captured. Assessment will show what is realistically achievable for your production. You can hear examples of dialogue restoration on the Results page.
Expectations
Polymiq Audio Lab prioritises honest improvement over artificial sounding results. It is important to understand what restoration can and cannot achieve.
Speech completely covered by noise may not be recoverable. If words are buried beneath the problem, they cannot always be brought back.
Severe clipping cannot always be fully repaired. Mild overload may improve; heavy distortion often leaves permanent damage.
Strong wind or clothing noise may remain partly audible. These problems can often be reduced, but not always removed completely.
Heavy room echo cannot always be removed completely. Light room sound can often be improved, but reverberant recordings may retain some character.
Overlapping voices cannot always be separated cleanly. When two people speak at once, one voice may remain partly audible beneath the other.
Aggressive processing can damage natural voice quality. The goal is clearer dialogue that still sounds like the original speakers.
Ongoing Work
Production companies and repeat clients can send regular video projects for assessment. Consistent dialogue restoration may be available across episodes or productions, with a repeatable restoration workflow developed after the first assessment.
Volume pricing may be available for larger or recurring projects. There are no fixed package prices — every production is different. Contact me to discuss your schedule after the initial assessment.
Examples
A relevant video audio restoration example will be added here.
In the meantime, you can hear real restoration work on dialogue, music and archive recordings on the Results page.
Hear Existing Restoration ExamplesBackground noise can often be reduced in video dialogue. How much improvement is possible depends on how loud the noise is compared to the speech and the quality of the original recording. Every file is assessed individually before any paid work begins.
Light room echo and reverb can sometimes be reduced in production dialogue. Strong or heavily reverberant recordings may retain some audible room sound after restoration.
Wind noise can often be reduced in outdoor video recordings. Severe wind that masks speech may remain partly audible, and results depend on how clearly dialogue was captured beneath the problem.
Distant microphone recordings can sometimes be improved for clarity and level. Very quiet or heavily masked speech may have limited recovery depending on what was captured at the source.
Uneven levels between speakers in video interviews are a common production problem. Restoration can often improve balance so viewers do not need to adjust volume between participants, while keeping voices natural.
Mild clipping can sometimes be improved. Severe clipping or distortion cannot always be fully repaired, and results depend on how badly the recording was overloaded. Assessment will show what is realistically achievable.
Both are accepted. You can send a complete video file or exported audio from your edit. If you are unsure which format to send, include a short sample and I will advise during assessment.
Common formats include WAV, AIFF, MP3, FLAC, M4A and standard video files such as MP4 and MOV. If you are unsure, send what you have — most production exports can be reviewed.
Cost depends on recording length, audio condition, number of speakers, severity of the problems and the amount of restoration required. Every project begins with a free assessment and a no-obligation quotation before you commit to paid restoration.
Turnaround depends on file length, complexity and current workload. A typical sample assessment is usually returned within a few working days. Restoration timing is confirmed with your quotation after assessment.
Get Started
Send a short video or audio sample for an honest assessment of what can realistically be improved.
“Very happy with the result and would recommend.”View Reviews →